The Panama House

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via : the cool hunter


Marcio Kogan’s Panama House is a residence designed for art. Located in São Paulo, Brazil, the house makes a powerful but subdued statement in its low, open, elongated elegance — a hallmark of Kogan’s architecture.


In the past few years, the award-winning, Brazilian-born architect’s Studio MK27 has produced a steady stream of low-rise, boxy work – all with an uncanny intimacy, yet without any of the usual stuffy treatments that supposedly create intimacy.


At the Panama House, there are no cozy nooks, no soft furnishings, no homey touches. And yet, there is a feeling of comfort and livability in this art-gallery-of-a-house that makes you want to move in tomorrow.


All levels of the three-storey house — including the bedrooms, office, gardens and patio — are used to display the owner’s substantial collection of predominantly modern Brazilian art and sculpture.


An uninterrupted connection between inside and out makes the entire space seem unlimited, translucent, as if without walls, although the structure is essentially a wooden box inside a C-shaped concrete cask made of cement slabs and a wall.


The sliding vertical wood lathes that form the brise soleils for each room’s facade, are also an important part of establishing the prevailing openness. The brise soleils also provide comfort and privacy, and enable the control of the artworks’ exposure to direct sun.


Most beautifully, they also create the soft play of light that matches the overall linear shapes — created by creases in window treatments, the floor boards, the rows of pillows on long sofas, the stone work outside — continuing the elongated language of the entire building.


The São Paulo-born architect Marcio Kogan graduated from Mackenzie University in 1976 and created films until the age of 30. His considerable talents of creating drama, understanding a setting and leading the eye are certainly evident in the award-winning Panama House. - Tuija Seipell





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William Fife

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William Fife III OBE (1857-1944), also known as Wm. Fife, Jr., was the third generation of a family of Scottish yacht designers and builders.
Fife was born in the small village of Fairlie on the Firth of Clyde. His father and grandfather (both also named William and often referred to as Fife I and Fife II) had also been designers and boatbuilders in Fairlie. The family business operated from a yard on the beach in the village. Fife began building yachts in 1890 and soon surpassed the achievements of his father and grandfather and became known as one of the premier yacht designers of the day.

Fife designed two America's Cup yachts for grocery and tea magnate Sir Thomas Lipton who challenged for the cup a total of five times. The Fife-designed challenger Shamrock I (1899) lost to Columbia (Nathanael Greene Herreshoff, 1899) and Shamrock III (1903) lost to Reliance. After the establishment of the first International Rule in 1906, Fife became a prolific designer of meter boats, designing and building several very successful 15mR and 19mR yachts in the years leading up to the Great War.




Éric Tabarly, the famous French sailor, two time winner of the OSTAR and owner of the Fife design Pen Duick (formerly Yum, 1898), writing on the designs produced by Fife during the first few decades of the century noted that: "the great designers of the period were Herreshoff, George Lennox Watson, Nicholson and William Fife. Amongst these, Fife has acquired a particular reputation thanks to the sheer artistry and balance of his designs. Furthermore, those of his designs which took shape in his yard were of unmatched construction."



While Fife established a leading reputation on the yacht racing circuit, his work also included a number of fine cruising vessels. Dr. William Collier of Fairlie Restorations in Hamble, UK, writing on Fife's work in the 1920s, noted that during this period, ”[Fife] designed and built not only smaller Metre boats but also a series of fine cruisers. This combination typified the inter-war era of the Fairlie yard. Like the schooner Altair (1931), many of the cruisers echo his turn of the century designs such as Cicely (1902) or Suzanne (1906); similarly there were few fundamental differences in his ketch designs spanning this era. Perceived by some as anachronistic, these yachts were considered by many to represent some of the greatest refinements of the auxiliary cruising yacht ever achieved.” Id.
The Fife yard also had a reputation for the extremely high quality of the craftsmanship of the yachts built at the yard. Today, it is thought that there are somewhat less than 100 Fife designs still in existence. Of these, there are around fifty still sailing. Of the larger vessels, the schooner Altair (1931) and the keel cutters Cambria (1928), Hallowe'en (1926), The Lady Anne (1912), Moonbeam of Fife (1903), Moonbeam IV (1920), Mariquita (1911) and Tuiga (1909) grace the classic yacht circuit in Europe. In North America, the ketchs Adventuress (1924), Belle Aventure (1929) and Sumurun (1914) are located in New England waters.



Fife once said that the secret of a great yacht was that it should be both "fast and bonnie".

Fife was awarded an OBE for his work. In 2004, he was inducted into the America's Cup Hall of Fame.

Shamrock & Reliance

Fife died in 1944, never having married and without an heir. He is buried in Largs. The yard was continued for some years after his death by his nephew, but never achieved the renown known under Fife's ownership.


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The Lovell House

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The Lovell House or Lovell Health House is a modern residence designed and built by Richard Neutra between 1927-29. The home, located at 4616 Dundee Drive in Los Angeles, California, was built for the physician and naturopath Philip Lovell. It is considered a major monument in architectural history, and was a turning point in Neutra's career.



It is often described as the first steel frame house in the United States, and also an early example of the use of gunite (sprayed-on concrete). Neutra was familiar with steel construction due to his earlier work with the Chicago firm Holabird & Roche. Neutra served as the contractor for the project in order to manage the cost and quality.



Aesthetically, the house follows many of the principles of the International Style, and was in fact included in the 1932 Museum of Modern Art exhibit that retrospectively defined that style. In essence the house reflects Neutra's interest in industrial production, and this is most evident in the repetitive use of factory-made window assemblies. In fact, Neutra's apprentice Harwell Hamilton Harris suggested that Neutra was drawn to America because of Henry Ford.
The interior reflects Neutra's interest in Cubism, transparency, and hygiene. The 'minimal' detailing shows the influence of Irving Gill. In another nod to industrial production, Neutra installed two Ford Model-A headlights in the main stairwell. (The headlights were provided by Neutra apprentice Gregory Ain.) The Historic American Buildings Survey described the Lovell House as "a prime example of residential architecture where technology creates the environment."



Philip Lovell was enchanted with the house and praised his architect publicly. Lovell had previously commissioned architect Rudolf Schindler to build the landmark Lovell Beach House in 1926.

The Lovell House was added to the list of Registered Historic Places in Los Angeles in 1971.

The Sunday Movie : Falling Water House

By Frank Lloyd Wright


Fifty years after the realization of Frank Lloyd Wright’s renowned design, the Solomon R. Guggenheim Museum celebrates the golden anniversary of its landmark building with the exhibition Frank Lloyd Wright: From Within Outward, co-organized by the Solomon R. Guggenheim Foundation and the Frank Lloyd Wright Foundation. On view from May 15 through August 23, 2009, the 50th anniversary exhibition brings together sixty-four projects designed by one of the most influential architects of the 20th century, including privately commissioned residences, civic and government buildings, religious and performance spaces, as well as unrealized urban mega-structures. Presented on the spiral ramps of Wright’s museum through a range of mediums—including more than 200 original Frank Lloyd Wright drawings, many of which are on view to the public for the first time, as well as newly commissioned models and digital animations—Frank Lloyd Wright: From Within Outward illuminates Wright’s pioneering concepts of space and reveals the architect’s continuing relevance to contemporary design.

Go to the Guggenheim exibition and take a look at :
www.guggenheim.org/new-york/exhibitions/on-view-now/frank-lloyd-wright

A place to stay in New-York City

Courtesy of : thecoolhunter

in the heart of Tribeca, Five Franklin Place is destined be the epitome of luxury residences. The 20-storey building will contain 55 one-, two-, three- and four-bedroom units that will be set up as duplex lofts on the lower floors; single-level city residents above; plus three triplex penthouses each with a rooftop terrace and serviced by private internal lifts.

The building itself, designed by Dutch architect Ben van Berkell of UNStudio, will be wrapped in a series of horizontal black metallic bands — each of which ungulates as it curves around and hugs the frame of the structure. The façade is apparently a direct tribute to the original 19th-century built form of cast iron that shaped lower Manhattan — and the metallic surface will reflect light while highlighting the magnificence of the neighbouring buildings



The building’s façade is not merely about aesthetics, as the bands will also create shading from the daylight, deflect heat, and guarantee every residence will have the highest degree of privacy, and simultaneously frame unparalleled views out across Manhattan.

The Loft Residences on the levels have a double-height living area that maximises the light entering the space. The height of the great room continues on through a gallery where a white lacquered library wall ascends up into the second level.



The upper-tier City Residences feature integrated terraces off the main living areas, and all units are custom-fitted with B&B Italia kitchens and built-ins throughout. The master bathrooms feature a circular sliding wall that allows the bathroom to become part of the bedroom and share its spectacular city views.

And for those at the top, the five ultra-luxurious Sky Penthouses are unmatched in practically every aspect. Again, B&B Italia has masterfully crafted the space, including the kitchen. Sweeping views from every room, even the master bathroom, automatically heighten the occupants’ awareness of their place in the cityscape and the surrounding environment.



The skylines of our cities are rapidly changing — ingeniously designed buildings are competing for our attention. But architectural beauty alone is not going to provide the type of service we’re growing accustomed to expecting after spending millions on luxury lifestyle. We feel that the rise of luxury residences has only just begun — and we want to know all about it. If you are aware of luxury residences we should investigate, please let us know.
By Andrew J Wiener.